This, with the objective of providing as full a picture of the young Bach as possible, even at the risk of including some things not authentically his. The first volume contains nine items, amply distributed across forty tracks. Robert Hill, with no less credentials than a professorship of historical performance at the Freiburg College of Music, performs these works.
Bach; Johann Sebastian (1685-1750)
A lot of this material is admittedly nascent, with occasional flashes of the mature Bach, and certainly, a musical inventiveness that did not abate with age. These come in vignettes of short movements averaging just under two minutes each. But the Sonata in A minor BWV , one of the earliest works in the collection, sounds a tad heavy-handed, even allowing for the bold, unrefined character of the music.
The Fantasia of the Fantasia and Fugue in A minor BWV arrives as an absolute downpour of ceaseless notes — you can tell that Hill simply revels in this — foreshadowing, perhaps, the age of the Romantic virtuoso-composer pianists that would not yet arrive for another century.
For the most part, he delivers an idiosyncratic reading, sprinkled with eager embellishments — ornaments, appoggiaturas , rubato , and the like, so much so that rococo — the byword for elaborate and profuse decoration, even to the point of expansive tastelessness — seems a more suitable description of this music than baroque.
Yet it is mostly executed a two-edged word, if there was ever one in good taste. These two books were compiled at the start of the 18th century when Bach was in his teens by his eldest brother, Johann Christian Bach. This may be an infinitesimally small fraction of the entire corpus of keyboard music that was produced in the baroque, but it remains an invaluable cross-sectional slice of the music of the day. A number are thought to be spurious, if only because their anonymously individual styles are difficult to reconcile with that of latter-day Bach, and also because until recently, the identity of the scribe and compiler Johann Christian was unclear.
Ongoing musicological research may yet turn up new conclusions about these works. The second volume comes on a pair of discs; basically, more of the same as volume one. Nonetheless, there are some items here that will prove rewarding for the intrepid listener, albeit there are no familar hummable themes forthcoming.
This is one interpretation which, although polished, could do with a bit more sparkle. Considering the relative obscurity of these works, excluding something as basic as individual movement descriptions seems a grave omission. Jazz musicians and composers, in particular, have been drawn to the contrapuntal style, harmonic expansion and rhythmic expression of Bach's compositions, especially the works for keyboard.
The first section below lists all compositions in the BWV — range, then follows a section listing other compositions for keyboard instruments, excluding the organ. After the composer's death most of his keyboard compositions, and many others, are, or were, often performed on the piano , played either directly from a score for the instruments as the composer knew them, or from a score that was a transcription for piano. The latter is sometimes needed even for harpsichord scores while for instance a composition intended for a two-manual harpsichord like the Goldberg Variations can present difficulties for the crossing of hands when performed on a single-keyboard instrument like the piano.
The fourth section of this list refers to such transcriptions and arrangements for the piano. Five short preludes found in the manuscript P collection of Johann Peter Kellner : . Praeludium in A minor, BWV Main article: Six Little Preludes Bach.
Robert Hill - Harpsichord Music by the Young J. S. Bach, Vol. 1
Concerto in D major, BWV — 2. Further information: Notebook for Anna Magdalena Bach. Further information: List of transcriptions of compositions by Johann Sebastian Bach. Preface in English and German. Mark My Alford A favorite air with variations. Le Vent dans les Ruines En Champagne. Theme and Variations Zdenka Variations. The School of Octave Playing, Section 1: preliminary school. The School of Octave Playing, Section 2: 7 studies. Ballad, from The Flying Dutchman Wagner.
Caprice-Valse No. Festival and Bridal Song, from Lohengrin Wagner. Hungarian Rhapsody No. Les Patineurs, Illustration Nr. March in B Minor Schubert Op. March in C Major Schubert Op. Mephisto Waltz No. Paraphrase de concert, from Ernani Verdi. Paraphrase de concert, from Rigoletto Verdi. Polonaise, from Eugene Onegin Tchaikovsky. Sarabande and Chaconne Handel , from Almira. Symphony No. Tarantelle di Bravura Auber , from La muette di Portici.
Valhalla, from Der Ring des Nibelungen. Variation on a Waltz of Diabelli Variations on a Theme of Bach, J. Praeludium, Op. Andante cantabile e Presto agitato in B Major. Caprice No. B Flat Minor, Op.
CDMarket | Robert Hill - Harpsichord Music by the Young J. S. Bach, Vol. 1
Spanish Dances, Op. Graaf, K. Fantasy and Fugue in C Major, K. Fantasy and Sonata No. Rondo in D Major, K.
Sonata in G Major incomplete , K. Theme and Variation on Ah vous dirai-je, maman , K. Theme and Variations in G Major, K. Intermezzo in Modo Classico Early version.
Intermezzo in Modo Classico Later version. Cracovienne Fantastique, Op. Nocturne in B Flat Major, Op. Complete School of Technic for the Piano, Book 1. Complete School of Technic for the Piano, Book 2. Technical Studies 60 Progressive Exercises , The Little Pischna 48 Practice Pieces. Fantaisie-tableaux, Op. Variations on a Theme of Chopin, Op. Borodin, Alexandere, Valse. Chabrier, Emmanuel Paraphrase sur un air de Gounod.
Sheherezade arranged by the Composer , Op. Sheherezade, Op. Theme and Variations collaboration with several other Russian composers. Impromptu in E Flat Major, Op. Nocturne in G Flat Major, Op.
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Polonaise in E Flat Minor, Op. Romance in E Flat Major, Op. Trois Rapsodies sur des Cantiques Bretons, Op. Trois morceaux en forme de poire Three Pieces in the Shape of a Pear. Polish National Dances, Op.