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They never denied the actual existence of the deities they were engaged in suppressing.

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That would have been too great an outrage upon popular beliefs, and might have caused a reaction; and, besides, each new religion had an interest of its own in preserving the basis of belief in these invisible [ 24 ] beings. Disbelief in the very existence of the old gods might be followed by a sceptical spirit that might endanger the new. So the propagandists maintained the existence of native gods, but called them devils. Sometimes wars or intercourse between tribes led to their fusion; the battle between opposing religions was drawn, in which case there would be a compromise by which several deities of different origin might continue together in the same race and receive equal homage.

The differing degrees of importance ascribed to the separate persons of the Hindu triad in various localities of India, suggest it as quite probable that Brahma, Vishnu, and Siva signalled in their union the political unity of certain districts in that country. But the religious difficulty was sometimes not susceptible of compromise.


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The most powerful priesthood carried the day, and they used every ingenuity to degrade the gods of their opponents. Agathodemons were turned into kakodemons. The operation of this force in the degradation of deities, is particularly revealed in the Sacred Books of Persia. In that country the great religions of the East would appear to have contended against each other with especial fury, and their struggles were probably instrumental in causing one or more of the early migrations into Western Europe.

The following extract from the Zend-Avesta will serve as an example of the spirit in which the war was waged:—. The Zoroastrian conversion of deva deus into devil does not alone represent the work of this odium theologicum. In the early hymns of India the appellation asuras [ 26 ] is given to the gods. Asura means a spirit. But in Persia the asuras —demonised in India—retained their divinity, and gave the name ahura to the supreme deity, Ormuzd Ahura-mazda. On the other hand, as Mr.

Muir supposes, Varenya , applied to evil spirits of darkness in the Zendavesta, is cognate with Varuna Heaven ; and the Vedic Indra, king of the gods—the Sun—is named in the Zoroastrian religion as one of the chief councillors of that Prince of Darkness. But in every country conquered by a new religion, there will always be found some, as we have seen, who will hold on to the old deity under all his changed fortunes.

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Sometimes even after they have had to yield to the popular terminology, and call the old god a devil, they will find some reason for continuing the transmitted forms. It is probable that to this cause was originally due the religions which have been developed into what is now termed Devil-worship. The distinct and avowed worship of the evil Power in preference to the good is a rather startling phenomenon when presented baldly; as, for example, in a prayer of the Madagascans to Nyang, author of evil, quoted by Dr.

The good god needs no asking. But we must pray to Nyang. Nyang must be appeased. O Nyang, bad and strong spirit, let not the thunder roar over our heads! Tell the sea to keep within its bounds! Spare, O Nyang, the ripening fruit, and dry not up the blossoming rice! Let not our women bring forth children on the accursed days. Thou reignest, and this thou knowest, over the wicked; [ 27 ] and great is their number, O Nyang. Torment not, then, any longer the good folk! How the theory of Dualism, when attained, might produce the phenomenon called Devil-worship, is illustrated in the case of the Yezedis, now so notorious for that species of religion.

The Mussulman calls the Yezedi a Satan-worshipper only as the early Zoroastrian held the worshipper of a deva to be the same. The chief object of worship among the Yezedis is the figure of the bird Taous , a half-mythical peacock. And sweet water flowed therefrom from every side. In Dr. The evolution of demons and devils out of deities was made real to the popular imagination in every country where the new religion found art existing, and by alliance with it was enabled to shape the ideas of the people.

The theoretical degradation of deities of previously fair association could only be completed where they were presented to the eye in repulsive forms.

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It will readily occur to every one that a rationally conceived demon or devil would not be repulsive. If it were a demon that man wished to represent, mere euphemism would prevent its being rendered odious. The main characteristic of a demon—that which distinguishes it from a devil—is, as we have seen, that it has a real and human-like motive for whatever evil it causes. If it afflict or consume man, it is not from mere malignancy, but because impelled by the pangs of hunger, lust, or other suffering, like the famished wolf or shark.

And if sacrifices of food were offered to satisfy its need, equally we might expect that [ 30 ] no unnecessary insult would be offered in the attempt to portray it. But if it were a devil—a being actuated by simple malevolence—one of its essential functions, temptation, would be destroyed by hideousness. For the work of seduction we might expect a devil to wear the form of an angel of light, but by no means to approach his intended victim in any horrible shape, such as would repel every mortal.

The great representations of evil, whether imagined by the speculative or the religious sense, have never been, originally, ugly. The gods might be described as falling swiftly like lightning out of heaven, but in the popular imagination they retained for a long time much of their splendour. The very ingenuity with which they were afterwards invested with ugliness in religious art, attests that there were certain popular sentiments about them which had to be distinctly reversed. It was because they were thought beautiful that they must be painted ugly; it was because they were—even among converts to the new religion—still secretly believed to be kind and helpful, that there was employed such elaboration of hideous designs to deform them.

The pictorial representations of demons and devils will come under a more detailed examination hereafter: it is for the present sufficient to point out that the traditional blackness or ugliness of demons and devils, as now thought of, by no means militates against the fact that they were once the popular deities. The contrast, for instance, between the horrible physiognomy given to Satan in ordinary christian art, and the theological representation of him as the Tempter, is obvious.

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Had the design of Art been to represent the theological theory, Satan would have been portrayed in a fascinating form. But the design was not that; it was to arouse horror and antipathy for the native deities to which the ignorant clung tenaciously. It was to train [ 31 ] children to think of the still secretly-worshipped idols as frightful and bestial beings. It is important, therefore, that we should guard against confusing the speculative or moral attempts of mankind to personify pain and evil with the ugly and brutal demons and devils of artificial superstition, oftenest pictured on church walls.

Sometimes they are set to support water-spouts, often the brackets that hold their foes, the saints. It is a very ancient device. Our figure 2 is from the handle of a chalice in possession of Sir James Hooker, meant probably to hold the holy water of Ganges. These are [ 32 ] not genuine demons or devils, but carefully caricatured deities.

Who that looks upon the grinning bestial forms carved about the roof of any old church—as those on Melrose Abbey and York Cathedral 7 —which, there is reason to believe, represent the primitive deities driven from the interior by potency of holy water, and chained to the uncongenial service of supporting the roof-gutter—can see in these gargoyles Fr. Was it to such ugly beings, guardians of their streams, hills, and forests, that our ancestors consecrated the holly and mistletoe, or with such that they associated their flowers, fruits, and homes?

They were caricatures inspired by missionaries, made to repel and disgust, as the images of saints beside them were carved in beauty to attract. If the pagans had been the artists, the good looks would have been on the other side.

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And indeed there was an art of which those pagans were the unconscious possessors, through which the true characters of the imaginary beings they adored have been transmitted to us. In the fables of their folklore we find the Fairies that represent the spirit of the gods and goddesses to which they are easily traceable. That goddess who in christian times was pictured as a hag riding on a broom-stick was Frigga, the Earth-mother, associated with the first sacred affections clustering around the hearth; or Freya, whose very name was consecrated [ 33 ] in frau , woman and wife.


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The mantle of Bertha did not cover more tenderness when it fell to the shoulders of Mary. King, M. They are probably copies of earlier designs, surviving from the days when the plan of Gregory for the conversion of temples prevailed. For if those temples are well built, it is requisite that they be converted from the worship of devils to the service of the true God. The obstructions of man—The twelve chief classes—Modifications of particular forms for various functions—Theological demons. The statements made concerning the fair names of the chief demons and devils which have haunted the imagination of mankind, heighten the contrast between their celestial origin and the functions attributed to them in their degraded forms.

The theory of Dualism, representing a necessary stage in the mental development of every race, called for a supply of demons, and the supply came from the innumerable dethroned, outlawed, and fallen deities and angels which had followed the subjugation of races and their religions. But though their celestial origin might linger around them in some slight legend or characteristic as well as in their names, the evil phenomenon to which each was attached as an explanation assigned the real form and work with which he or she was associated in popular superstition.